Programme
Papers (30 minutes)
Austvoll, André (Norway)
Choreocinema
Bales, Melanie (USA)
Falling, Releasing and Post – Judson Dance
Bertuzzi, Elena (France/Italy)
Analysis of Movement and Kinesiology Laban for Students of Ethnomusicology
Bishko, Leslie (Canada)
Visualizing the A Scale: A Visual Supplement to Teaching Choreutics
Bodak, Suzanne (France)
About Malakovsky’s Free Dance and Its Transmission
Breuss, Rose (Austria)
Salome – A Written Choreography
Caparr6s, Begonia (Spain/USA)
Exploring the Use of Laban with Orphans in Uganda
Clarke, Melanie (UK)
Communicating Intention in Notating Release-based Technique
Debenham, Pat; Debenham, Kathie (USA)
Bob Fosse’s Choreographic Screen Debut: 48 Seconds that Set a Course
Drewes, Henner (Germany)
The Representation of Movement in Notation Systems and Its Transformation in Digital Processing
Dulicai, Diane (USA)
Relationship Between Movement and Personality
Feck, Candace (USA)
A Meeting of Minds: Adapting Laban’s Movement Themes to Dance Writing Projects
Fox, Ilene (USA); Ryman, Rhonda (Canada)
Using the Laban Dancer to Visualize Notation Scores
Fugedi, Janos (Hungary)
Notation on Film
Geiger, Esther (USA)
LMA as a Tool for Developing Audio Description: Making the Arts Accessible to People Who Are Blind
Gonzalez, Gabriela (UK/Argentina)
The Silent Wisdom: Teaching LMA for Actors
Gough, Matthew (UK)
Computer Interpretation of Labanotation within Graphic Dance Notation Scores
Hayne, Mary (USA)
“The Theorized Body” and “The Experienced Body” in Dance Research: Exploration Through the Lens of Patterns of Total Body Connectivity
Hull, Deborah (USA)
Laban-Bartenieff Movement Analysis as a Tool for Teaching Dance, Performance Skills and Wellness to Adolescent Girls
Jola, Corinne; Haggard, Patrick (Switzerland/UK)
In Between the Score and the Dance: Cognitive Processes In Reading Labanotation
Kennedy, Barbara (Canada)
Laban Movement Analysis in the Area of Cultural Studies: Teaching and Adapting Folk Dance for Senior With Various Chronic Conditions
Kijkhun, Chommand (Thailand)
The Essence o f Thai Male Classical Dance
Kimura, Harumi; Morita, Reiko (Japan)
Choreological Study of Japanese Old Ritual Dance by “Your Move” Notation System: A Study on Miko-Mai in Kotohira Shrine from the Point of View of Dance Idiom
Koutsouba, Maria I. (Greece)
Applying Labanotatin on Greek Folk Dance: The Case of the Dances of the Greek Ionian Island of Lefcada
Lepczyk, Billie (USA)
An Overview of a Creative Dance Course through a Multimedia CD-ROM
Longstaff, Jeffrey Scott (USA/UK)
Rudolf Laban’s Notation Notebook: An Historical Survey of
Dance Script Methods from Choreographie (1926)
Loueiro, Angela (France/Brazil); Challet-Haas, Jacqueline (France)
The Role of Notation on Body Construction
Mizenko, Jennifer (USA)
Scale Monologues: Illustrating the Application of Laban’s Space Harmony Theories to the Acting Process
Piqueinal, Jean-Marc (France)
Following a Creative Process
Stjernholm, Johan (UK)
The Possibility of Using 3D Computer Animation as a Complimentary Tool to Dance Documentation
Takano, Makiko (Japan)
Movement Analysis of “The Green Table”
Umino, Bin (Japan); Longstaff, Jeffrey Scott (USA/UK); Soga, Asako (Japan)
Laban Motif of Algorithms for Automatic Generation of Dance Sequences in “We3D” Dance Composer
Workshops (30-60 minutes)
Brodie, Julie (USA)
Labanotation and Technique: Bridging the Gap to Build Articulate Dancers
Curran, Tina (USA)
Teaching Methodologies: Utilizing Reading Literacy Strategies to Cultivate Dance Literacy
Fernandez, Ciane (Brazil); Ramesh, Rajyashree (Germany/India)
Revisiting Ancient Tradition: Labanotation Movement Analysis and Bartenieff Principles as Applied to the Practice of Indian Classical Dance
Gayon, Jorge (France/Mexico)
Laban Movement Analysis Applied to Dramatic Movement
Haaranen, Oona (USA/Finland)
Observing and Experiencing Stillness in Dance
Heiland, Teresa (USA)
Surviving Assembly Line Work using Laban-Bartenieff Movement Analysis
Kolffand, Joukje; Clarke, Melanie (UK)
The Labanotation Score of “Trio A” by Yvonne Rainer
Mozingo, Karen (USA)
Gertrude Bodenwieser’s “The Demon Machine”
Sarasvati, Bala (USA)
Movement Training and Performance Enhancement Utilizing Laban Movement Analysis and Bartenieff Fundamentals
Treu-Kaulbarsch, Andrea (Germany)
Three Folk Dances from Romania