Programme
(Provisional programme by January 15th, 2023 – to be updated)
Papers, Ignite Talks, Panels
Angelopoulou, Ioanna (Greece)
Notating Dance or Dancing the Notation
Long Paper
Aubert-Riffard, Béatrice (France)
Traditional Dancer/Contemporary Dancer
Ignite Talk
Beliaeva, Natalia (France)
Read and Transmission as an Important Step in Writing the Score Afin qu’il n’y soit rien changé
Short Paper
Chandnasaro, Dharakorn (Thailand)
An Analysis and Recording of NA Phat Dance, Tra Nimit Song in Thai Theatre and Dance with Labanotation
Short Paper
Ciarochi, Angela (USA)
Dance like a Man? An Investigation of Masculine Aesthetics in Contemporary Dance through Archival Analysis and Embodied Practice
Short Paper
Drewes, Henner; Ledwig Marius (Germany); Altamirano Solar, Ixhel (Mexico/Germany), Braun, Aline (France/Germany), Kim, Moonjoo (Korea/Germany)
“Three Fugues” by Noa Eshkol
Long Paper
Emory-Maier, Ambre; Frazier, Mara; Williams, Valarie (USA)
Finding the Lost Section of “Galliarde” from Agon
Long Paper
Frazier, Mara (USA)
A Bibliographic Approach: The History of Physical Production and Copying Processes for Labanotation/Kinetography Laban
Long Paper
Gayon, Jorge (Mexico)
Rereading Rudolf Laban, for an Active Application of Qualitative Movement Analysis and Effort Training
Long Paper
Hermes, Karin (Switzerland)
Dance Heritage in Fluid Times. Between Artistic Practice and Theory of Notation
Long Paper
Kim, Hyoung-Nam; Shim, Kyung-Eun (Korea)
Development of Classification Index for Dance Quantification Based on Kinetography Laban
Short Paper
Lee, Jung-Min (Korea)
The Application of Motif Writing in South Korea since the 2000s
Short Paper
Liu, Dan (China)
A Serious Language—an Ongoing Movement Acceptance: Laban Movement Logic Combined with the Profession of Performance and Choreography at Chinese University
Long Paper
Loukisa, Panagiota (Giota) (Greece)
An Investigation of the Impact of Movement Literacy and, in Particular, of Motif Notation on the Memorisation of Classical Dance Sequences
Long Paper
Lu, Mei-Chen (USA/Taiwan)
The DNB Online Courses: Arrangements, Experiences and Observations
Long Paper
Megill, Beth (USA)
Beyond Orthography, Notating Along a Continuum
Long Paper
Papadopoulou, Foteini (Germany/Greece); Okan, Sungu (Turkey)
“Kinetographology”: An Attempt at a Collaborative Approach to the Study of Kinetography
Panel
Perkins, Crystal; Williams, Valarie; Frazier, Mara (USA)
Archiving Black Performance: Memory, Embodiment, and Stages of Being
Panel
Raszewska-Kursa, Hanna (Poland)
Somatic Experience of Reading Mercedes Lackey Expressed with the Kinetography
Long Paper
Sato, Machiko (Japan)
What Are We Doing in the Process of Dance Describing in Kinetography?: A Study of Schrifttanz and Tanzschrift
Short Paper
Schallmann, Thomas (Germany)
Vocabulary of German Folkdance Steps
Long Paper
Shim, Kyung-Eun (Korea)
A Dance of Cultural Diversity ‘Ch’ŏyongmu’, Integrated Research for Notation
Long Paper
Skiba, Katarzyna (Poland)
The Importance and Application of Kinetography in Contemporary Research and Reconstruction of Polish Folk Dances
Short Paper
Tseng, Ra-Yuan (Taiwan)
Teaching Motif Writing in Taiwan
Long Paper
Williams, Valarie (USA)
Dancing Water Study
Ignite Talk
Wilson, Sofia (USA); Abe,Erika (Japan)
Staging Process of Two Ecstatic Themes at Kenyon College
Short Paper
Yoo, Si-Hyun (USA/Korea)
A Study on the Guidelines for the Standardization of Motif Grammar for Laban Bartenieff Movement Studies
Long Paper
Workshops
Bioret, Olivier (France)
Cells and Collective Organisms: Practicing the Group Circular Paths
Brodie, Julie; Goldberger, Claire (USA)
Folk Dance Notation Challenges Explored through the Danči Experience
Green, Willow (USA)
Bringing the Score to Life: Oral Histories and Contextual Research for Maggie Patton’s You Can’t Dress Me Up But You Can Take Me Anywhere
Heiland, Teresa; Carrel, Jonah (USA)
A Comparative Workshop Embodying a Dance Score of a Female Dance Duet Redesigned for Two Men: Exploring Male Expressivity Using Revised Labanotation Phrases
Hermes, Karin (Switzerland)
The Layers of Meaning in Movement and the Art of Interpretation
Kim, Jian (Korea)
Choreological Harmony: Let’s Do Ganggangsullae, a Korean Circle Dance
Kovács, Henrik; Oláh, Nóra (Hungary)
Reading Excerpts of Turning Pair Dance from Transylvania
Lee, Jooyoung (Joo) (France/Korea)
Reading Scores: The Support of Breathing in Korean Classical Dance
Papadopoulou, Foteini (Germany/Greece)
Impactful Moves: How Fundamental Movement Notation Concepts and Tools Might Contribute in Decoding the Appeal of Certain (Types Of) Movements
Russ, Hannah; David, Laura (USA)
Hexentranced: An Egalitarian Exploration of Embodiment
Simonet, Noëlle (France)
Red Notes, a Score