Conference 2023

Programme

(Provisional programme by January 15th, 2023 – to be updated)

Papers, Ignite Talks, Panels

Angelopoulou, Ioanna (Greece)
Notating Dance or Dancing the Notation
Long Paper

Aubert-Riffard, Béatrice (France)
Traditional Dancer/Contemporary Dancer
Ignite Talk

Beliaeva, Natalia (France)
Read and Transmission as an Important Step in Writing the Score Afin qu’il n’y soit rien changé
Short Paper

Chandnasaro, Dharakorn (Thailand)
An Analysis and Recording of NA Phat Dance, Tra Nimit Song in Thai Theatre and Dance with Labanotation
Short Paper

Ciarochi, Angela (USA)
Dance like a Man? An Investigation of Masculine Aesthetics in Contemporary Dance through Archival Analysis and Embodied Practice
Short Paper

Drewes, Henner; Ledwig Marius (Germany); Altamirano Solar, Ixhel (Mexico/Germany), Braun, Aline (France/Germany), Kim, Moonjoo (Korea/Germany)
“Three Fugues” by Noa Eshkol
Long Paper

Emory-Maier, Ambre; Frazier, Mara; Williams, Valarie (USA)
Finding the Lost Section of “Galliarde” from Agon
Long Paper

Frazier, Mara (USA)
A Bibliographic Approach: The History of Physical Production and Copying Processes for Labanotation/Kinetography Laban
Long Paper

Gayon, Jorge (Mexico)
Rereading Rudolf Laban, for an Active Application of Qualitative Movement Analysis and Effort Training
Long Paper

Hermes, Karin (Switzerland)
Dance Heritage in Fluid Times. Between Artistic Practice and Theory of Notation
Long Paper

Kim, Hyoung-Nam; Shim, Kyung-Eun (Korea)
Development of Classification Index for Dance Quantification Based on Kinetography Laban
Short Paper

Lee, Jung-Min (Korea)
The Application of Motif Writing in South Korea since the 2000s
Short Paper

Liu, Dan (China)
A Serious Language—an Ongoing Movement Acceptance: Laban Movement Logic Combined with the Profession of Performance and Choreography at Chinese University
Long Paper

Loukisa, Panagiota (Giota) (Greece)
An Investigation of the Impact of Movement Literacy and, in Particular, of Motif Notation on the Memorisation of Classical Dance Sequences
Long Paper

Lu, Mei-Chen (USA/Taiwan)
The DNB Online Courses: Arrangements, Experiences and Observations
Long Paper

Megill, Beth (USA)
Beyond Orthography, Notating Along a Continuum
Long Paper

Papadopoulou, Foteini (Germany/Greece); Okan, Sungu (Turkey)
“Kinetographology”: An Attempt at a Collaborative Approach to the Study of Kinetography
Panel

Perkins, Crystal; Williams, Valarie; Frazier, Mara (USA)
Archiving Black Performance: Memory, Embodiment, and Stages of Being
Panel

Raszewska-Kursa, Hanna (Poland)
Somatic Experience of Reading Mercedes Lackey Expressed with the Kinetography
Long Paper

Sato, Machiko (Japan)
What Are We Doing in the Process of Dance Describing in Kinetography?: A Study of Schrifttanz and Tanzschrift
Short Paper

Schallmann, Thomas (Germany)
Vocabulary of German Folkdance Steps
Long Paper

Shim, Kyung-Eun (Korea)
A Dance of Cultural Diversity ‘Ch’ŏyongmu’, Integrated Research for Notation
Long Paper

Skiba, Katarzyna (Poland)
The Importance and Application of Kinetography in Contemporary Research and Reconstruction of Polish Folk Dances
Short Paper

Tseng, Ra-Yuan (Taiwan)
Teaching Motif Writing in Taiwan
Long Paper

Williams, Valarie (USA)
Dancing Water Study
Ignite Talk

Wilson, Sofia (USA); Abe,Erika (Japan)
Staging Process of Two Ecstatic Themes at Kenyon College
Short Paper

Yoo, Si-Hyun (USA/Korea)
A Study on the Guidelines for the Standardization of Motif Grammar for Laban Bartenieff Movement Studies
Long Paper

Workshops

Bioret, Olivier (France)
Cells and Collective Organisms: Practicing the Group Circular Paths

Brodie, Julie; Goldberger, Claire (USA)
Folk Dance Notation Challenges Explored through the Danči Experience

Green, Willow (USA)
Bringing the Score to Life: Oral Histories and Contextual Research for Maggie Patton’s You Can’t Dress Me Up But You Can Take Me Anywhere

Heiland, Teresa; Carrel, Jonah (USA)
A Comparative Workshop Embodying a Dance Score of a Female Dance Duet Redesigned for Two Men: Exploring Male Expressivity Using Revised Labanotation Phrases

Hermes, Karin (Switzerland)
The Layers of Meaning in Movement and the Art of Interpretation

Kim, Jian (Korea)
Choreological Harmony: Let’s Do Ganggangsullae, a Korean Circle Dance

Kovács, Henrik; Oláh, Nóra (Hungary)
Reading Excerpts of Turning Pair Dance from Transylvania

Lee, Jooyoung (Joo) (France/Korea)
Reading Scores: The Support of Breathing in Korean Classical Dance

Papadopoulou, Foteini (Germany/Greece)
Impactful Moves: How Fundamental Movement Notation Concepts and Tools Might Contribute in Decoding the Appeal of Certain (Types Of) Movements

Russ, Hannah; David, Laura (USA)
Hexentranced: An Egalitarian Exploration of Embodiment

Simonet, Noëlle (France)
Red Notes, a Score