Conference 2019

Programme

(Updated by July 21, 2019)

Schedule to download

Schedule_ICKL_2019_v2 (Version 2 – July 12, 2019)

Papers and Panels
Short Papers (SP) / Long Papers (LP)

Abe, Naoko (Japan/Australia), with collaborative authors Amanda Card, Sue Healey, Lian Loke, Dagmar Reinhardt, David Rye, Mari Velonaki (Australia)
Using Kinetography Laban for Analyzing Fetch’s Collaborative Motion in the Course of the Interaction (LP)

Bioret, Olivier (France)
Notating Daniel Larrieu’s Pieces (LP)

Carrasco, Mauricio (Chile/Australia)
Laban in Music. The use of Labanotation in Daniel Zea’s Sound Choreographies: The Body Operating as a Sound Trigger and Producer (SP)

Falcón Valerdi, Clarisa (Mexico)
The Teaching of Labanotation in Mexico (SP)

Ferreiro Pérez, Alejandra; Limón Silicéo, Marisol (Mexico)
Trajectory of Language of Dance in Mexico (LP)

Harrington Delaney, Patty (USA)
Using Concepts of Motif and LMA as a Framework for Movement Exploration (LP)

Herrera Corado, Beatriz (Guatemala)
Breaking down Touch: Movement Analysis of Contact Improvisation (SP)

Huberman, Miriam (Mexico)
Structuring a Choreological Counseling Workshop with a Dance Company (LP)

Huberman, Miriam; Gayón, Jorge; Macías Guzmán, Paloma (Mexico)
Updating Vera Maletic’s “Survey of Interpretation of Laban’s Classification of Effort and Its Terminology” (LP)

Kovács, Henrik (Hungary)
Prenotation: Dance Symbols in Childhood (SP)

Lancos, Jonette; Emory-Maier, Ambre (USA)
A 1952 Labanotation Score Enlivens Historical Modern Dance (LP)

Lee, Tsung-Hsin (Joda); Williams, Valarie (USA)
The Importance of Laban as Seen Through the Voices of Generation Z (LP)

Lenfant, Vincent (France)
A Script That Says Nothing? The Use of a Score to Restage and Study a Choreographic Piece (SP)

Lenfant, Vincent; Bastien, Marion (France)
Describing and Indexing Scores: A Pilot Project (SP)

Loyer, Anaïs (France)
To Write the Improvisation: Dances Construction, Simone Forti (SP)

Machado de Almeida, Marcus (Brazil)
Overview of Kinetography Laban/Labanotation in Brazil (SP)

Machado de Almeida, Marcus (Brazil)
Reflections on the Poetic Functions of Labanotation (SP)

Macías Guzmán, Paloma (Mexico)
Laban in Mexico: Creating a Didactic Proposal (LP)

McEwing, Keith (New Zealand)
Kellom Tomlinson, a Rediscovered Workbook, and a Modern “Translation” of Beauchamp–Feuillet Dance Notation (LP)

Megill, Beth (USA)
Cultivating Embodied Readers and Expanding the Reach of Dance Literacy Online (LP)

Raszewska-Kursa, Hanna (Poland)
Warsaw Laboratory of Kinetography: History, Activities, Goals, Plans (LP)

Ruiz González, Raymundo (Mexico)
Laban’s Dancing Script: A Motion Toward the Network of the Laban’s System of Movement Notation (LP)

Russ, Hannah (USA)
Investigating the Development of Labanotation in Collegiate Dance Programs in China (LP)

Skoczela, Małgorzata (Poland)
Kinetography Laban as a Tool for Creation: A Personal Approach (SP)

Williams, Valarie; Emory-Maier, Ambre (USA)
A Look at the Collaborative Staging of George Balanchine’s Tschaikovsky Pas de Deux (Panel)

Yoo, Si-Hyun (USA/Korea)
Exploring the Issues around the Standardization of Motif for Laban Movement Studies (LP)

Ignite Talks

Brasseur, Blandine; Lenfant, Vincent (France)
The Challenge of Notating Puppetry for Training, Preservation and Transmission

Brodie, Julie, with Willow Green (USA)
Laban-Based Associates Network

Russ, Hannah; Brodie, Julie (USA)
Enhancing Dance Education and Community Engagement through the Staging of Vaslav Nijinsky’s L’Après-midi d’un faune from Score

Workshops

Brodie, Julie, with Willow Green (USA)
Danči! Reading Notation of Latvian Folk Dances

Gayón, Jorge (Mexico)
Building a Human Size Icosahedron

Heiland, Teresa (USA)
A Jazz Score Written Three Ways

Weber, Lynne (USA)
Remy Charlip’s Twelve Contra Dances: A Tool Available for Teaching Labanotation through Reading