Conference 2015

Papers (20 or 30 minutes)

Naoko ABE, Jean-Paul LAUMOND, Paolo SALARIS (France)
Kinetography Laban for motion segmentation and generation in Humanoid Robot

Julie BRODIE, Gabrial MITCHELL (USA)
Staging of Eve Gentry’s Tenant of the Street

Estelle CORBIERE (France)
Notation with the choreographer Olivier Dubois

Kathie DEBENHAM, Pat DEBENHAM (USA)
The Hope of a Decade: Fred Astaire’s and Ginger Rogers’ Dances of the 1930s

Sinibaldo DE ROSA (France)
Prompting a dialogue between the kinetography Laban and the Alevi semah

Henner DREWES (Germany)
MovEngine – Developing a Movement Language for 3D Visualization and Composition of Dance

Karin HERMES (Switzerland)
When notation-signs become a tool for fine art in public spaces

Deborah HULL (USA)
“Libérée, Délivrée:” Laban-Bartenieff Movement Analysis (LMA) as a Tool for Teaching Foreign Language to Children and Adolescents

Vesna KARIN (Serbia)
Some new aspects of formal analyses of traditional dance

Ronald KIBIRIGE (Uganda)
Notation of an African indigenous dance: An inquiry on the application of Labanotation theory to understand a traditional dance. Case study of Myel Bwola from Northern Uganda

Henrik KOVÁCS (Hungary)
Depths of variations – a notation-based analysis of a Hungarian traditional dance with props

Billie LEPCZYK (USA)
The Four Temperaments: Balanchine’s Extension of Classical Ballet’s Vocabulary

Mei-Chen LU (USA)
Dance Notation Bureau in the Twenty First Century

Paloma MACÍAS, Miriam HUBERMAN (Mexico)
Study on the Perception of the Timing of Gestures and their Notation in Spanish Dancers, Mexican Folk Dancers and Percussionists

Pablo MUÑOZ PONZO (Uruguay)
Labanotation in the Art & Design History

Minako NAKAMURA, Worawat CHOENSAWAT, Kozaburo HACHIMURA (Japan & Thailand)
The use of LabanEditor as an educational tool

Foteini PAPADOPOULOU (Germany)
Movement analysis principles of Kinetography Laban as tools for dance composition: the artistic research project as far as abstract objects

Rachael RIGGS LEYVA, Valarie WILLIAMS (USA)
Staging Repertory from Score: Bridging Kinesthetic, Historical, and Cultural Distances

Raymundo RUIZ GONZÁLEZ (Mexico)
The basic steps in the Jarabe Tapatio (Hat dance). A review through his notation

Ignite Talks (5 minutes)

Raphaël COTTIN (France)
“Lignes de choeur”. A publication after a one year residence at François Rabelais University – Tours, France.

Noëlle SIMONET (France)
Presentation of DVD#2 Transfers and turns

Workshops (45 minutes)

Julie BRODIE, Balinda CRAIG-QUIJADA (USA)
Reading Notation of You Can’t Dress Me Up But You Can Take Me Anywhere (1982)

Frederick CURRY (USA)
Exploring 3-D Movement Using Bartenieff Fundamentals

Delphine DEMONT (France)
Discovering the ‘acaJOUET’ (litterally aca-TOY)

Henner DREWES, Tirza SAPIR (Germany & Israël)
Understanding “Simultaneous Movement” as an analytic principle in movement notation and its usage in movement composition.
Document to download: Workshop_Drewes_Sapir (pdf)

Miriam HUBERMAN (Mexico)
Space and Effort Warm-Up

Lynne WEBER (USA)
Using the Thematic Bracket

Panels (60 minutes)

Raphaël COTTIN, Jacqueline CHALLET-HAAS, Noëlle SIMONET (France)
Diversity of use and accessibility of the Laban system in France

Sherrie BARR, Tina CURRAN, Susan GINGRASSO, Teresa HEILAND (USA)
Examining Laban Studies as a Pedagogical Practice

Valarie WILLIAMS, Mara PENROSE, Rachael RIGGS-LEYVA, Lynne WEBER, Mei-Chen LU (USA)
Current Pedagogical Practices from the Dance Notation Bureau and Dance Notation Bureau Extension

To download
Programme and Abstracts
> ICKL2015_Abstracts (pdf)
Schedule overview
> ICKL2015_Schedule_overview (pdf)