Programme
-> download the BOOKLET (schedule, abstracts, biographies, events, practical information): ICKL_2022_Booklet
Papers and Panels
Bajić Stojiljković, Vesna (Slovenia/Serbia)
Application of Kinetography Laban in Defining the Terminology for Dance Education and Folk Dance Practice in Serbia
Bonnaud-Deborde, Léa (France)
Re-Discovering an Oral Tradition Dance Culture through Dance Scores
De Rosa, Sinibaldo (Italy/UK)
Movement Notation, Performance and Positionality: An Ethnographer’s Perspective
Diggins, Natalie (Australia)
The Saiidi Project: Using Language of Dance to Observe, Learn, Create and Perform Saiidi
Emory-Maier, Ambre; Frazier, Mara; Williams, Valarie (USA)
A Look at the Collaborative Process of DaNCe2U #mentalhealth (Panel)
Forster, Lou (France)
From Kinetography Laban to Minimalism: Lucinda Childs’ Evolution in Dance Literacy (1953-1978)
Frazier, Mara; Brandt, Isabel (USA)
Digital Librarianship with Dance Notation Scores
Fügedi, János (Hungary)
Notations and Understandings of the Small Vertical Motions of the Body: Bouncing, Pulsation, Spring?
Horváth-May, Dániel (Hungary)
Decoding a Dance: The Requirement of Applying Kinetography for Dance Analysis through the Example by a Peasant Dancer
Kovács, Henrik (Hungary)
Where Is the Forward? Empirical Research on the Body Scheme from the Perspective of Laban Kinetography
Márkli, Zsuzsanna Teodóra (Hungary)
Orthographic Changes of Laban Kinetography in Hungary
Brodie, Julie, Elliot Mercer, Claire Goldberger and Erika Abe (USA)
Yvonne Rainer’s Trio A as an Evolving Artifact: Memory, Notation, and Pedagogy
Okan, Sungu (Turkey)
Looking Forward with Kinetography Laban: Studies from Turkey
Opłocka-Perko, Anna (Poland)
The Pathway of Kinetography Laban in Poland
Papadopoulou, Foteini (Greece/Germany)
Movement Journals/Moving Journals: Looking Back at a Year of Journaling with Kinetography Laban
Raszewska-Kursa, Hanna (Poland)
Meeting with International Community. How Ickl Influenced My View of Kinetography and My Attidude Towards My Activity
Sato, Machiko, and Ryo Hakoda, Ayana Murakami, Naoki Wake, Kazuhiro Sasabuchi, Minako Nakamura, Takeshi Oishi, Takayuki Itoh, Katsushi Ikeuchi (Japan)
Digital Reconstruction of Ballet Movements from Dance Scores: A Focus on Stepanov’s Music Note System and Labanotation
Shim, Kyung Eun (Korea)
The Kineto-Cartography Embodied in Traditional Rites of Islanders: Focusing on the Jangjwa-RI Dangjae Rituals of Wando Island, Jeollanam-Do in Korea
Szél, Gábor (Hungary)
Relation of Positions and the Upper Body during Consecutive Changes of Double Support into Opposite Directions
Ignite Talks
The New Activities of CNEM (France)
Workshops
Aubert-Riffard, Béatrice (France)
“Suite of dañs-tro Fisel” Heritage and Creation (Paper and Workshop)
Brodie, Julie; Vidzemniece, Valda (USA and Latvia)
More Danči! Reading Notation of Latvian Folk Dances
Dudás, Dávid (Hungary)
The Role of the Arm’s Movement, the Notation and the Employment of Its Variations in the Legényes
Lévai, Péter (Hungary)
Possible Interpretation Motifs and a Teaching Method of Improvisation in a Hungarian Traditional Dance
Ruiz González, Raymundo; Correa Beltrán, María del Carmen (Mexico)
From the Mother Earth Zapata Was Born. Reading Excerpts from the Birth Section of Guillermo Arriaga’s Zapata
Russ, Hannah (USA)
“The Partisan” Solo: Learning the Part from Score
Programme of Technical Papers
Cottin, Raphaël (France)
Updating Secret Turn Sign
Misi, Gábor (Hungary)
Workshop – Black Pin or White Pin?
Weber, Lynne and Ferguson, Sian (USA)
Notating Hip Hop Dance and the Way symbols are Being Used to Represent this Complex Style of Movement