Conference 2017

Programme

Papers (30 minutes)

Marion Bastien (France)
1959, the Creation of the International Council of Kinetography Laban: Prologue.

Christine Caradec (France)
Notation and Recreation of Totentanz I – Mary Wigman (1921).

Nena Couch, Valarie Williams (USA)
Archiving the Scores: Preserving the Preservation.

Natalie Diggins (Australia)
The Expressive Experience: Laban’s Eight Efforts and Bellydance.

Alejandra Ferreiro, Raymundo Ruiz (Mexico)
The Pathway of Kinetography Laban/Labanotation in México.

János Fügedi (Hungary)
LabanGraph TP: Developments of an Application for Editing Laban Kinetography.

Teresa Heiland, Rachael Riggs Leyva (USA)
Tethered Across Distance: Choreographing with Motif Notation.

Ma Yu [马昱] (China)
What is the Basic of Creative Dance Education.

Keith McEwing (New Zealand)
White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taiji Quan (Tai Chi Chuan) and Qi Gong.

Ursula Payne (USA)
Teaching Laban Based Contemporary Movement Practices to Ugandan Students at STAWA University.

Rachael Riggs Leyva (USA)
Documenting Kinesthetic Intentions and Learning Process in Trisha Brown’s M.O.

Si-Hyun Yoo (USA/Korea)
Exploring an Alternative Approach for Motif Description in the Certification Program for Laban Movement Studies at the Laban/Bartenieff Institute of Movement Studies.

Xi Ying [习英] (China)
The Key of Labanotation to Record Chinese Dance: A Case Study to Record “The Twisted Movement of Shandong Jiaozhou Yangko”.

Workshops (45 minutes)

Julie Brodie (USA), with Hannah Russ (USA)
Cūkas driķos: Reading and Viewing Participatory and Presentational Versions of a Latvian Folk Dance.

Kyung-Eun Shim (Korea), with Soo-Youn Kim (Korea)
Let’s Read the Expression of Korean Dance.

Panel (60 minutes)

Henrik Kovács (Hungary), Vesna Karin (Serbia)
The Use of Laban Kinetography in Ethnochoreology.

ICKL Lounges (60 minutes)

Led by Mei-Chen Lu [卢玫蓁] (Taiwan/USA)
Issues in Translation

Led by Victoria Watts (USA/UK)
Cultural Policy and Notation Practice: How do Institutions and Individuals Operate within Different Policy Frameworks in Order to Make Notation Practice Possible?

Ignite Talks (5 minutes)

Béatrice Aubert (France)
Score Checking. A Real Discipline?

Natalia Beliaeva (France)
Steps for a Reconstruction: Observing a Luncinda Child’s Workshop.

Olivier Bioret (France)
Kinetography, a Tool for the Choreographer’s Invention: The Example of Les Glycines – Encloses.

Christine Caradec (France)
Rudolf Laban’s Titan. Ninety Years after.

Raphaël Cottin (France)
3 Ways to Keep Writing. Presentation of 3 Works Integrating Kinetography Laban.

Huo Lei [霍蕾] (China)
Discussion on Teaching Research and Educational Reform of Labanotation in a Comprehensive University.

Jing ZhiWei [井志伟] (China)
Labanotation of Comprehensive University Teaching.

Li Mo [李默] (China)
The Application of Educational Drama to the Laban Dancing Classes of Primary Schools.

Anaïs Loyer (France)
Kinetography Laban and the Industrial Gesture.

Mei-Chen Lu  [卢玫蓁] (USA)
DNB Activities in China.

Hannah Russ (USA)
Senior Exercise: The Re-staging of Nijinsky’s L’Après-Midi d’un Faune.

Jennifer Shennan (New Zealand)
“In Furious Demonstration of their Joy”. Dance in Polynesia.

Noëlle Simonet (France)
Another Faun. The restaging of Kurt Jooss’ Afternoon of a Faun.

Tong Jiajia [佟佳家] (China)
Labanotation’s Perspective: Chinese Stone Reliefs’ Dance Images in Han Dynasty.

Lynne Weber (USA)
Using Notation to Enhance Core Curriculum Topics in Elementary Education.

Xiao Mengya [肖梦雅] (China)
Through Ninety Years—Dai Ailian’s Dance Art Journey.

Zhao Yang [赵阳] (China)
Notation courses in Choreomundus.

Technical sessions

To be announced.